Facebook’s Non-Compliance with Canadian Privacy Laws

â€Å"The world of privacy has changed, and Canada’s laws need to keep up. Personal information has been called the oil of the digital economy and as companies drill for more data, the risk to privacy are growing exponentially.† After an investigation conducted in 2009 prompted by a complaint filed from the Canadian Policy and Public Interest Clinic, the Office of the Privacy Commissioner has concluded that Facebook’s current practices of third party applications do not comply with Canadian Privacy Laws. The Commissioner’s concerns include inadequate disclosure to users about what is being disclosed, lack of consent, and lack of control over personal information with third-party developers. With these findings, the Commissioner has proposed several recommendations for Facebook to take on, however the company has refused to comply. In this paper I will argue that the Office of Privacy Commission requires stronger enforcement powers in ordering Facebook to change its third party application practices in order to effectively protect consumers personal information. â€Å"We live in a regulatory state. The idea of the regulatory state is that a new institutional and policy style has emerged, in which governments role as regulator advances while its role as a direct employer or property owner may decline through privatization† Consumers are currently protected under the Personal Information Protection and Electronic Documents Act dealing with the personal information under the privateShow MoreRelatedFacebook s Privacy Policy At Facebook1838 Words   |  8 Pages The first portion of my paper, identified concluded with the following after close examination of Facebook’s privacy policy. After close consideration, I have come to the conclusion that there is no real protection of one’s information when using their services. Everything posted is essentially property of Facebook, and in return for your posts, you get to use their services. Even though they claim you own the information, they profit off your information. It seems that Facebooks’ only interestsRead MoreManaging Information Technology (7th Edition)239873 Words   |  960 PagesQuestions 558 †¢ Discussion Questions 559 †¢ Bibliography 559 Chapter 14 Information Security 561 Computer Crime 561 The Chief Security Officer Role 565 554 520 Contents Risk Management for Information Security 565 Compliance with Laws and Regulations 567 Sarbanes-Oxley (SOX) 567 Gramm-Leach-Bliley Act of 1999 (GBLA) 569 Health Insurance Portability and Accountability Act (HIPAA) The PATRIOT Act 569 Organizational Polices for Information Security PlanningRead MoreInternational Management67196 Words   |  269 PagesEnvironment The World of International Management: Google’s China Gamble Political Environment Ideologies 34 34 36 37 Political Systems xvi 40 Table of Contents xvii Legal and Regulatory Environment Basic Principles of International Law Examples of Legal and Regulatory Issues Regulation of Trade and Investment 41 42 43 46 Technological Environment and Global Shifts in Production Trends in Technology, Communication, and Innovation Biotechnology E-Business Telecommunications

Analysis Of Feminism In Things Fall Apart - 1070 Words

The analysis of feminist theory in Things Fall Apart presents reason for the sexism that is continuously portrayed. Sexism and problematic gender roles within the novel are repeatedly depicted throughout a number of scenes and characters. With this, we are able to see how sexism exists in various cultures and how the implementation of sexism is detrimental to society. Although, as feminist theory states, rebelling and challenging the patriarchal system is necessary to halt gender roles and sexual restriction (Leitch 24). Ekwefi represents this break from gender roles and stands out as the only female figure that acts boldly in a time of stress. However, exclusively analyzing feminist theory for this text undermines just as vital theories†¦show more content†¦When Okonkwo discovers that Nwoye has found a new faith in Christianity, he claims that Nwoye is a woman and not a man nor his own son and addresses that Nwoye is effeminate and degenerate (Achebe 153). These gender role s for men are problematic because it implies that the men in Okonkwo’s life cannot stray away from highly masculine tendencies or else he will be ostracized or beaten. Feminist theory is applicable to this certain situation because Okonkwo perpetuates the male gender role for his son when Nwoye wishes to break from the roles. Okonkwo illustrates the use of gender roles and lack of feminism in his daughter, Ezinma and his regret of her being a girl (Achebe 137). Okonkwo’s desire for his daughter to be a man is problematic and represents the patriarch’s refusal to view women as equal to men. Throughout Ezinma’s life time, Okonkwo expresses his desires for Ezinma to be born a boy ( Achebe 137). He explictly states to himself that he, â€Å"wishes she were a boy,† because she â€Å"understands him perfectly† (Achebe 136). Okonkwo expands on this desire as he continue to express how Ezinma is his favorite among the daughters and that she understa nds the ways of his consciousness and his moods (Achebe 137) . Although these expressions are subtle, Okonkwo’s regret of Ezinma’s gender plays a role in the patriarchal induced gender roles that women are socially lesser than men. Society’s standardsShow MoreRelatedCritical Analysis of Monique Wittig1419 Words   |  6 PagesCritical Analysis of ‘One Is Not Born a Woman’ by Monique Wittig In her essay, One is Not Born a Woman, Monique Wittig explains, â€Å"‘Women’ is not each one of us, but the political and ideological formation which negates ‘women’ (the product of a relation of exploitation). ‘Women’ is there to confuse us, to hide the reality ‘women’ . . . For what makes a woman is a specific social relation to a man, a relation that we call servitude.† Monique Wittig attacks the concept of naturalizing biology andRead MoreThe Grapes of Wrath: The Role of Ma Joad1252 Words   |  6 Pagesare divided from the weak and the followers divide from the leaders. In the novel, The Grapes of Wrath, author John Steinbeck presents the character Ma Joad who serves an important role as the rock that keeps the family together. The Joad family, apart from many families in Oklahoma, is forced to leave their homes in search of work and better opportunities; California not only leaves them in poverty but despair. But thr ough it all Ma Joad is the leader of the family that exhibits selflessness inRead MoreMarge Piercy Barbie Doll Analysis1860 Words   |  8 Pagesto an unrealistic bar, that make girls around the world feel insecure and unworthy of being beautiful. Society has cemented views of women and what they â€Å"should† look and act like based on things like makeup, body figure, clothing, etc. Women from all places are urged to alter their appearances in order to fall into the category of beautiful. The impulse for women to â€Å"paint their face† is due to the fear of other people not seeing them as attractive (Warren par. 7). The perfect female is thought toRead More The Role of Women in Chinua Achebes Things Fall Apart Essay3614 Words   |  15 Pages More than those of any other African writer, Chinua Achebe’s writings have helped to develop what is known as African literature today. And the single book which has helped him to launch his revolution is the classic, Things Fall Apart.   The focus of this essay includes: 1) Achebes portraiture of women in his fictional universe, the existing sociocultural situation of the period he is depicting, and the factors in it that condition male attitudes towards women; 2) the consequences of the absenceRead MoreThe Combahee River Collective3937 Words   |  16 Pagesa US radical feminist lesbian group, wrote this very famous manifesto that became essential for the Black Feminism Mouvement. They made as central the total recognition of the different forms of oppressions, sexual, racial, social, that black women endure and the necessity to fight against them. Therefore, the integration of notions of gender, sexuality, race, class in any feminist analysis that deals with power and do mination become unavoidable. They express clearly the logical result of their struggleRead MoreWicca and Ecofeminism3245 Words   |  13 PagesChristian beliefs begin with the biblical story in Genesis of the Garden of Eden. God, the highest power in male form, watches over Adam and Eve in the Garden. Eve, the woman figure, is seen as subordinate to Adam and she later becomes the cause for the fall from the Garden (Merchant, 2003). This biblical story creates a patriarchal heritage and further puts women at the devastation of humanity (Mellor, 2003). Other biblical stories in Genesis 1 of Christian writing also view nature as destructive andRead More The Women of Umuofia in Chinua Achebes Things Fall Apart Essay1999 Words   |  8 PagesThe Women of Umuofia in Chinua Achebes Things Fall Apart    The only women respected in Umuofia are those like Chielo, the priestess of the Oracle of the Hills and Caves, who is removed from the pale of normalcy. Clothed in the mystic mantle of the divinity she serves, Chielo transforms from the ordinary; she can reprimand Okonkwo and even scream curses at him: Beware of exchanging words with Agbala [the name of the Oracle of the Hills and Caves]. Does a man speak when a God speaks? BewareRead MoreThe Edible Woman By Margaret Atwood1732 Words   |  7 Pagessurvival. By the end of the novel, she manages to create the new persona in Marian, who manages to reconstruct her new concept of self with the use of a renewed relationship with food. Having been published at the time when there was a revolution in feminism, this essay tries to describe the themes that develop throughout Atwood’s novel. The issue of identity crisis Atwood’s novel is one that is very rich in its description and language use. Through it, different themes have come up to give it meaningRead More Feminism in M. Butterfly Essay2722 Words   |  11 PagesFeminism in M. Butterfly In the 1989 drama M. 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Advantage and Disadvantage of Owning Bicycle Free Essays

It’s easy to see the advantages of owning bicycle in close city for example Eskisehir. It has a lot of advantages on a lot of titles, although it has disadvantages about many titles. One of the main advantages of owning bicycle has not problem about traffic. We will write a custom essay sample on Advantage and Disadvantage of Owning Bicycle or any similar topic only for you Order Now you can ride a bike where cars is not driven and you can enter narrow street. another main advantage is being healtier than before cycling. you ride a bike with your leg and your leg’s mussles also work and than it puts your blood pressure in order. In addition to this, fuel is unnecessary for cycling, so your money stays in your pocket. On the other hand cycling has some disadvantage. The main disadvantage is about weather so it is hard which is cycling at cold weather days especially in winter. Riding a bike can be responsible for getting cold. Another disadvantage is about speed. It is not for people who is loving speed also there is a problem about this title that it is very hard to go far away, cycling is for close towns. that is not all. there is one more problem about cycling that if you have an accident your body can be injured very badly. You can wear protect clothes although you may be injured very badly. In my opinion owning bicycle is good thing. In general, the advantages outweigh the disadvantages. At least it is better than walking for transporting and than experts say that riding a bike one hour in a day is good for being healtier. The problem is that some people can be shy because of riding a bicycle but if you ask me I think they don’t have to be shy for this transport style because it is not shameful thing. For this reason I invite everybody to cycle. How to cite Advantage and Disadvantage of Owning Bicycle, Papers

Rockabye Brecht Essay Example For Students

Rockabye Brecht Essay Shortly before his death in 1956, Bertolt Brecht, in a characteristic moment of reflective irony, told a colleague that the man who makes himself indispensable is up to no good. A lifetime behind him of skipping town whenever indispensable leaders such as Hitler and the House on Un-American Activities Committee were hot on his trail, Brecht could have been musing about his transience as a permanent condition. It would be like him to recognize that even his own leadership of the Berliner Ensemble could be construed as a threat to the survival of his plays, their reputation hanging on the slender thread of his own impeccable, highly impermanent productions. For all the critical literature surrounding both plays and productions, and even considering the mile-high paper trail he constructed to explain himself, its not easy to know if he saw himself as a profound classical contender. He was too street-smart to float pretensions of greatness, even though he couldnt resist the marketplace f or high-falutin ideas. As early as 1934, he was telling Walter Benjamin that hed have to admit to a tribunal asking him if he meant to be serious that he was finally, after all, thinking too much about artistic matters, about what would go well on stage, to be quite serious. That paper trail notwithstanding, Brecht the playwright was always ready to defer to Brecht the director. He had to know, too, that both Brechts would eventually defer to history. What a charming fatalist he turned out to be, living next door in East Berlin to the bucolic little graveyard where he and Helena Weigel would eventually be buried their bodies and souls dedicated to theatrical experiment, their bank notes stashed in Zurich just in case another quick getaway would have to be made. In Galileo, he had already pronounced his own death sentence on sentimental heroics Unhappy the country that needs a hero and he was quick to see that if the East German scoundrels persisted in medieval despotism, the people might have to be abolished. BUT EVEN BRECHT, with all his mightily wry skepticism, could not have written 1989s scenario of the Berlin Walls collapse, nor the subsequent madcap dash into free-market freefall, tribal warfare, factional terrorism and designer bombings meant to boost the popularity of Americas home-grown Arturo Uis. Mother Courages 30-year war looks positively innocent now compared to ethnic cleansings on all continents. And what could be funnier and more dialectically mysterious than the recent serious proposal from retailer Luciano Benetton to set up a revolutionary kind of school without teacher or books for young artists from around the world, to be headed by Fidel Castro? Epic theatre, whatever it may have meant to Brecht, has long since been upstaged by apocalyptic tragi-comedy. According to John Rockwells New York Times account last February about small-scale epic efforts by Brechts theatrical heirs to rescue the Berliner Ensemble now that all the indispensables are gone, it was Heiner Muller who told him that theyre looking for a constructive idea, thus inadvertently putting the final seal on Brechts theories as a means to any useful end. Muller, of course, is currently besieged by charges that he, like so many accommodating intellectuals, did a deal with Erich Honekers Stasi devils, so its no wonder that hes not exactly concentrating for the moment on running a theatre. Even so, he might have done better service to his own intelligence and Brechts than the hapless admission that hes nostalgic for those great days when they didnt have the great burden that we can do anything and say anything. A terrible burden, also, to be handling a $16-million annual subsidy from the Berlin city government; its not likely, however, that Berliners on either side of the former wall are shedding tears for an unfocused playwright as they scramble to survive more pressing emergencies, such as currency panic and reminiscent violence. Rockwell defines epic theatre as sweeping pageants built of socially concerned vignettes, placing Brecht in the most trivializing ghetto he can find, but monstrous injustice as this may be, its not more injurious to Brecht than Mullers sweeping unconcern. Brecht, I suspect, would have abolished his heirs before abolishing the people. American theatre of the Seven Years War by 1763? EssayPuntila and Matti at the Odyssey Theatre in Los Angeles last spring seemed to be about a rich geezer and the hands-on-hips broads he needed when drunk or sober, thus blurring all the contrasts. In fact, Brecht brazenly lifted his elemental tale from Chaplins City Lights, the rip-off and the balletic elegance very much his own style. Instead, this looked like Brecht seen through the lens and awshucks orneriness of John Ford Webster. Much better, but still weighed by dutiful homage to Brechts sweeping white curtain and performing revolve, was Michael Kahns production at the Shakespeare Theatre in Washington, D.C. of Mother Courage, with Pat Carroll light years away, mercifully, from Bancrofts veil of tears and even Judi Denchs tough little dumpling soldier at the Royal Shakespeare Company in the mid-80s. Caroll is round, but more show-biz than dumpling, which makes her picture-book mimicry of Weigels silent scream look all the mor e mechanized and second-hand. These labored productions share a barely hidden freeze-out hostility to the deliberately disjarring stops and starts of the text. Theyre struck noisily dumb, if thats possible, by the musical episodes, the ghosts of jaunty-Weill and swaggering Lenya rendering them sunless, arch and weirdly melancholic. GIVEN TIME, THEN, our directors might be able to break away from the dead hand of received ideas. But why bother, even if the luxury were suddenly dumped on us as reward for so many years spent like street-buskers waiting for a handout? My guess is that Brechts plays, punch-drunk with wicked reversals, besotted linguistic effusions and rage with a stupid universe, are not so much beyond translation as they are beside themselves with grief about the disappearing urgency of theatre itself. Alive today, Brecht the poet could easily make peace with the gods that failed. He might even be able to cope with the headlines and all the infuriating cruelties surrounding them. And in George Soros, described this summer by a Reuters dispatch as the Hungarian-born modern-day Robin Hood who broke the pound, hed surely find still another irresistibly slippery character settling for a spectacular role on the world stage of finance and war. But surely thats the point: How do we tell this new Azdak that Brecht has already written him? Hell go on anyway, maneuvering behind the scenes, making a mockery of the experts, generally demonstrating that the world doesnt need parliaments, prime ministers, presidents, pundits or playwrights. As a certifiable Brecht character, hes always momentarily right and monumentally wrong. The playwright needs to regroup forces now, if only to catch up with that quick-change art known as history. Until we can look at him again as a new-born prodigy, always a fleet-foot ahead of the undertakers running the world, lets give Brecht a well-earned rest from slow-wit and lumpish production. Long after Soros and Company are gone, Brecht, like Beckett, will go on.